Donnerstag, 30. April 2009

William Eggleston and David Lynch

Photos by William Eggleston

William Eggleston and David Lynch in Munich

Last week I visited several very interesting exhibitions in Munich.

At the Gallery Pfefferle the show with photos from David Lynch and William Eggleston is worth seeing.( 20.03. - 09.05.2009)

The gallery presents some of Eggleston’s most important colour photographs from the seventies. They are printed in the Dye Transfer method, that Eggleston invented himself.

Eggleston depicts scenes from everyday American life in seemingly arbitrary compostions.

The subjects are of a kind that were not considered worth photographing for art photographers: a fridge, a bright red door, cars, a field with colourful flowers. Yet they show us a faithful image of the American South. The intensity of the colour is often overwhelming. Eggleston’s photos give the seeming banality of American everyday life an intense aesthetic quality.

David Lynch’s black and white photos also depict scenes from everyday life.

Where Eggleston mainly shows us the rural Southern States., Lynch depicts urban scenes. Some photos were taken in Germany, such as the photo of the dirty wash basin with a sign “Trinkwasser” (drinking water) above it. Also portraits of an anonymous woman and nudes are included in the show. Lynch’s photos always have a mysterious, uncanny qualitiy no matter if he portays a woman or depicts a dark backyard. Lynch’s photos and drawings were shown last year at a great retrospective in Paris, this is the first exhibition of Lynch’s photos in Germany.

(the catalogue to the Lynch exhibition at the Fondation Cartier in Paris is worth buying:

David Lynch: Fondation Cartier pour l’art contemporain)

Photos by David Lynch

The Catholic Factor

The Catholic Factor
In contemporary Art from Poland and Germany

The poster for the exhibition with the photo of a man with a bloody wound on his belly has caused much controversy as it was considered too brutal. The curator of the exhibition defended it with the remark that it was designed extra for the show alluding to Jesus Christ’s side wound. I didn’t feel provoked by the poster, yet I noticed that the depicted man seems to cut himself while Jesus was wounded by Roman soldiers on the cross.

The very extensive exhibition is still open until the 17th of May at the Museum and Gallery „Leerer Beutel“ in Regensburg. My impression was rather mixed. When you enter the first room at the Minoritenkirche in the local Museum a plain grey fence with the title “Fade to Grey” by the artist Tom Früchtl catches your eye. I could not find out the meaning of this work of art and also couldn’t find a connection with the “catholic factor”. Other works, however, as the shiny black demon hovering over the nave of the church were more to my taste.

A young man holding a goblet in one hand and a catalogue in the other seems to be an art follower looking for the holy grail. At second sight you notice that it is a transparant photo on a glass panel (by the Polish artist Marta Deskur).

At first sight you also don’t recognize the confessional standing in the corner of the church as a work of art (Monode by Simon Schubert). If you open the door you see a narrow room lined with green fake leather. When you enter it you look into a mirror instead of the window for the priest.Through a tiny window in the mirror you see the head of a monster. Original idea!

Tadeusz Kantor is considered the most important Polish artist in the exhibition. His work 9 crosses (1981) in the altar room of the church is set apart very effectively against the medieval tombs in the church.

The works of art at the further exhibition at the Gallery „Leerer Beutel“ were also of a varied quality. A large part of one room is taken by an installation with loud speakers and a guitar (Murena/Tanqueray). Again I didn’t find a connection with the Catholic issue.

The artist from Regensburg Wolfgang Grimm (who died at a young age last year) is displayed with the painting series “Cor” with bloody red hearts. According to the artist this series dealt with the lost loves in his life. Also in this work there I could not see a connection with a Christian theme.

The Vienna Actionist Günter Brus is included in the show with one of his most important works, photos form his performance „Zerreissprobe“. As his fellow Vienna Actionist Hermann Nitsch who is also part of the show he comes neither from Germany or from Poland but from Austria.

In other pictures the subject matter is very obvious, as in the Tryptich by showing Maria in three different stages ( Katarzyna Górna) or the cross with the title pain (Grzegorz Klaman)

All in all the exhibition was too incoherent and the choice of the artists seemed to be rather arbitrary. It was difficult to find out which artists come from Poland or from Germany. An explanatory leaflet would certainly have helped. Nevertheless I did not regret seeing this show as you seldom get into contact with contemporary art from Poland and because some works were inspiring and original. I was astonished that artist in this show dealt with the current German Pope from Regensburg Georg Ratzinger, who has often provoked critical reactions.

Mittwoch, 22. April 2009

Picasso quote

I like this Picasso quote I have found in German weekly magazine "Zeit Magazin":

"Katzen sind die rücksichtvollsten und aufmerksamsten Gesellschafter, die man sich wünschen kann".

"Cats are the most thoughtful and attentive company, you can wish for".

Dienstag, 14. April 2009

Martin Munkácsi's lost photographic archive




Hungarian photographer Martin Munkácsi (1896–1963) was the most famous (and well paid) fashion photographer of his time. He was best known for bringing motion into fashion photography and influenced photographers like Richard Avedon. His photographic estate was lost since 1963, when he died impoverished and forgotten in New York. In 2007 the archive of 4000 negatives turned up again
at Ebay, where they were offered for 1 Mio dollars. The International Center of Photography purchased the negatives and displays vintage and modern prints and some of these negatives now in an exhibition in New York.

More on the site of the International Center of Photography

Montag, 6. April 2009

New Patti Smith photo series

The Rock singer Patti Smith shows her newest drawing and photos in New York at the Robert Miller Gallery in Chelsea. Patti Smith has been drawing and photographing for 40 years. Her newest photos series called "Veils" show altarpieces in Spanish Churches that are covered with plastic foils. The photos were first taken with a polaroid camera and then printed as black and white photos. The blurred, grainy pictures exude a gloomy, almost morbid atmosphere.

Patti Smith interview (in German)

Donnerstag, 2. April 2009

Street Art from Schwarzwald

The artist Stefan Strumbel was introduced yesterday on "Kulturzeit" (German TV; 3 Sat). He is an artist who comes from street art living in the rural region of "Schwarzwald" in Gerrmany. He uses the art form which originally was founded in American cities to play with German clichés.
Also his new interpretation of the "Kuckucksuhr" (cuckoo clock), a typical product from "Schwarzwald" is a big success. Not only Karl Lagerfeld bought one, but also the traditional union of the producers of "Kuckucksuhren" is overjoyed.

I have found this impressive clock at the front of a souvenir store in our town. Add a little colour and you almost have a Strumbel clock.